Metropolitan Museum: part 1 – William Keith - Approaching Storm
William Keith: 1839–1911 1880; Oil on canvas; 30 x 50 in. (76.2 x 127 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A dense thicket of trees rises from the left side of the composition, its foliage rendered in darker greens and browns, creating a visual barrier that partially obscures the background. Beyond this wooded area, a small settlement is visible – a cluster of buildings nestled against a distant hillside. The structures are indistinct, their details lost within the atmospheric haze.
The sky commands considerable attention. A heavy bank of storm clouds gathers overhead, obscuring much of the light and casting an ominous pall over the entire scene. Hints of pale illumination peek through the cloud cover in the far distance, suggesting a potential break in the weather or perhaps simply a distant source of light. The artist employed a muted palette – predominantly greens, browns, and grays – to reinforce the somber mood.
The composition’s subtexts revolve around themes of human labor, natures power, and the cyclical rhythms of rural life. The figures’ toil suggests a connection to the land and an acceptance of its demands. The approaching storm introduces an element of uncertainty and potential disruption, hinting at the precariousness of existence within a natural world that is both beautiful and formidable. There is a quiet dignity in the scene; it speaks not of despair but of resilience – a steadfast endurance against the forces of nature. The distant settlement suggests community and shelter, offering a sense of hope amidst the approaching darkness.