Metropolitan Museum: part 1 – William McGregor Paxton - Tea Leaves
William McGregor Paxton: American, Baltimore, Maryland 1869–1941 Boston, Massachusetts 1909; Oil on canvas; 36 1/8 x 28 3/4 in. (91.6 x 71.9 cm)
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The second woman sits at a table draped with white linen, her gaze fixed on the contents of her own teacup. She wears a hat adorned with ribbons, adding a touch of sophistication to her appearance. The arrangement of objects on the table – the silver teapot, cups and saucers, lemons in a bowl – indicates a certain level of affluence and refinement. A small, ornate side table holds these items, further reinforcing this impression.
The background is deliberately understated, consisting primarily of dark panels that frame the scene. This limited visual information draws attention to the figures and their interaction. The chair positioned near the standing woman appears slightly askew, hinting at a casualness that contrasts with the formal attire and setting.
Subtlety permeates the work. There’s an air of quiet contemplation, perhaps even a sense of unspoken communication between the women. The averted gazes suggest introspection or a shared understanding beyond verbal exchange. The subdued color palette – dominated by creams, whites, and browns – contributes to this atmosphere of restrained emotion.
The painting seems to explore themes of female companionship, social ritual, and interiority. It’s not a scene of boisterous activity but rather one of quiet observation, inviting the viewer to ponder the unspoken narratives unfolding within the domestic sphere. The artists choice to depict the women in such detail, yet withholding their direct engagement with the audience, creates a sense of distance and mystery, prompting speculation about their relationship and inner lives.