Metropolitan Museum: part 1 – Elihu Vedder - The Fable of the Miller, His Son, and the Donkey
Elihu Vedder: American, New York City 1836–1923 Rome ca. 1867–68; Oil on canvas; 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm)
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This group of women appears engaged in domestic tasks around what seems to be a well or fountain. They are dressed in simple, flowing garments and carry vessels for water collection. Their expressions are difficult to discern precisely, but theres an air of quiet activity and perhaps mild amusement directed towards the approaching figures. Several large earthenware jugs lie on the ground near them, adding to the sense of everyday labor.
The landscape itself is rendered with a muted palette, emphasizing the naturalistic quality of the scene. The distant hills are softened by atmospheric perspective, creating depth and suggesting vastness. A scattering of trees punctuates the horizon line, while sheep graze peacefully in the middle ground.
Subtleties within the arrangement suggest a narrative beyond mere depiction of rural life. The contrast between the purposeful advance of the man, boy, and donkey, and the seemingly casual activity of the women, implies an interaction about to occur or already underway. The donkey’s presence is particularly significant; its role in traditional fables often symbolizes burden, obedience, or a vehicle for unexpected consequences.
The overall tone is one of quiet observation, inviting contemplation on themes of labor, social dynamics, and perhaps even the complexities of human relationships within a rural setting. The artist has skillfully employed composition and color to create an atmosphere that is both tranquil and subtly suggestive, leaving room for interpretation regarding the unfolding story.