img509 Henri Matisse (1869-1954)
Henri Matisse – img509
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Painter: Henri Matisse
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Founder of Fauvism and master of colorism. This is how Henri Matisse appears to posterity. Later, ethnic motifs would permeate his art and dissolve, assimilated by the master’s will. The painter created his canvases in series. Several variants of the same work were painted at once. The main themes of the works were dances, pastorals, still lifes, fabrics and landscapes outside the window. Clean and expressive compositions do not contain any superfluous details.
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Description of the painting "Self-Portrait" by Henri Matisse
Founder of Fauvism and master of colorism. This is how Henri Matisse appears to posterity. Later, ethnic motifs would permeate his art and dissolve, assimilated by the master’s will. The painter created his canvases in series. Several variants of the same work were painted at once. The main themes of the works were dances, pastorals, still lifes, fabrics and landscapes outside the window. Clean and expressive compositions do not contain any superfluous details. Contrasting colors and lack of shadows, bright reflections of light - all this creates a feeling of joy at the beauty of the world around.
The master’s style is distinguished by the flexibility of lines and the balance of coloristic harmony, where bright contrasting fragments are balanced by large spots and masses of color.
In his portraits, the artist continues to boldly simplify forms, taking everything unnecessary out of the frame. The basic clear lines and colors remain, emphasizing the individuality of the character.
Self-portrait is painted with clear, decisive lines, where the main emphasis is on the face and hands. In the painting, the artist holds a brush in his left hand, thus emphasizing the universality of the human body. Large patches of color delineate the space of the painting. Red floor, gray walls, with the figure of the artist himself in the center.
The pose is quite static, but the face attracts attention. The master has nothing superfluous, just a ray of sunlight, which highlighted part of the face and the hand holding a brush. That is, the focus is on the master’s thought and its embodiment.
Mattis’ paintings carry a powerful emotional and energetic impulse, clothed in a rigorous form.
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The picture has something of this: people, man, graffiti, wear, war, street, portrait, seat, offense, furniture, lid, facial hair, outerwear, facial expression.
Perhaps it’s a painting of a man in a suit and tie sitting in a chair with a cigarette in his hand and a cigarette lighter in his other hand.