Part 4 Louvre – François-Joseph Navez -- Italian family, or Rest of the peasants in the countryside around Rome
1830, 103х132
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right of the woman, three other figures are positioned. A teenage girl stands slightly behind, her posture conveying a quiet melancholy; she looks downwards, seemingly lost in thought. An older woman, presumably a grandmother or matriarch, leans forward, her expression etched with weariness and perhaps a touch of concern. She holds a walking stick, suggesting age and reliance on support. Beside her, a young girl rests her head against the older woman’s shoulder, clutching a string of beads – a possible indication of religious faith or solace sought in times of hardship.
The color palette is dominated by warm tones: ochres, reds, and browns that evoke a sense of rustic simplicity and connection to the earth. The womans vibrant orange dress contrasts with the muted colors of the landscape and the darker clothing of the other figures, drawing immediate attention to her and the infant she holds. Light falls upon them from an unseen source, highlighting their faces and creating a dramatic interplay of light and shadow across the scene.
The setting itself – the rocky hillside visible through the opening in the background – implies isolation and a life lived close to nature. The darkening sky hints at approaching dusk or perhaps a sense of foreboding.
Subtly, the painting seems to explore themes of family, tradition, and resilience. The arrangement of figures suggests intergenerational bonds and shared experiences. The expressions on their faces convey a range of emotions – love, sadness, weariness – that speak to the complexities of rural life. There’s an underlying sense of quiet dignity in their posture and attire, despite what might be implied as hardship or poverty. The inclusion of religious iconography (the rosary) suggests a reliance on faith for comfort and guidance. Overall, the work evokes a feeling of timelessness, presenting a glimpse into a world shaped by tradition and the rhythms of nature.