Jan Provoost (c. 1465-1529) – Sacred Allegory Part 4 Louvre

The composition presents a complex arrangement of symbolic figures and objects set against a cloudy, atmospheric background. A central globe dominates the scene, rendered in shades of blue and white, suggesting both terrestrial and celestial realms. Two principal figures occupy either side of this sphere: a male figure with long dark hair and a beard, clad partially in a crimson cloak, and a female figure adorned in royal attire, including a crown and elaborate blue robes.
The male figure rests his arm upon the globe, holding a long, slender sword. His posture conveys a sense of authority and perhaps restrained power. The depiction of his feet, prominently displayed at the base of the composition within an aureola, draws attention to the wounds – a clear reference to suffering and sacrifice.
On the right side, the female figure holds a small box overflowing with grapes. A dove perches on her hand, symbolizing peace or divine inspiration. She also gestures towards an open book, its pages filled with script, likely representing knowledge or revelation. The presence of this text suggests a narrative element, though the specific content remains obscured.
Above and behind these figures floats a large, crimson disc bearing a prominent eye at its center. This motif evokes notions of divine omniscience and surveillance. A white lamb is suspended near the top of the composition, impaled by a red banner – a traditional symbol of Christ’s sacrifice.
The ornate gold frame that surrounds the scene reinforces the paintings elevated status and ceremonial nature. The overall effect is one of layered meaning, where each element contributes to a larger allegorical narrative. It appears to be an exploration of themes related to faith, divine judgment, knowledge, and perhaps even earthly dominion intertwined with spiritual authority. The arrangement suggests a hierarchical structure, with the globe acting as a nexus point for these various symbolic representations.