Maurice-Quentin de La Tour (1704-1788) – Queen Marie Leczinska, wife of Louis XV of France (1703-1768) Part 4 Louvre

The portrait presents a woman in three-quarter view, her gaze directed towards the viewer with a measured expression. The composition is tightly focused on the sitter, minimizing background detail and emphasizing her presence within the frame. A dark, elaborately draped fabric partially obscures her hair, leaving only wisps visible around her face and neck. This arrangement draws attention to her features – a broad forehead, full cheeks, and a somewhat pursed mouth – rendered with considerable realism.
The artist has employed a palette dominated by warm tones: golds, creams, and browns that imbue the scene with a sense of opulence and refinement. The sitter’s attire is particularly noteworthy. She wears an elaborate gown constructed from layers of shimmering fabrics, likely silk or satin, intricately embroidered with floral motifs. A profusion of pearls adorns her neckline, adding to the overall impression of wealth and status. Her hands are clasped around a slender object – possibly a measuring tool or a decorative fan – held close to her body, suggesting an interest in domestic pursuits or perhaps a subtle indication of intellectual engagement.
The lighting is soft and diffused, creating gentle gradations of tone across her face and clothing. This contributes to the overall sense of serenity and dignity that characterizes the portrait. The background is rendered as a dark, indistinct plane, which serves to isolate the sitter and further emphasize her importance.
Subtleties within the work suggest a carefully constructed persona. The somewhat reserved expression, coupled with the formal pose and lavish attire, conveys an image of authority and composure. The inclusion of the measuring tool might allude to a meticulous nature or a dedication to detail – qualities often associated with women in positions of influence during this period. While seemingly straightforward, the portrait’s restrained emotionality and emphasis on material display hint at the complexities inherent in representing power and status within a courtly setting.