Part 4 Louvre – Gerard Terborch II -- The concert: singer and theorbé lute player
1657, 47х44
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To his left sits a young woman, her attention focused on another sheet of music held in her hands. Her expression conveys a quiet attentiveness, and she appears to be following along with the performance. The placement of her chair, angled slightly towards the musician, implies an active role as listener or perhaps even singer.
A third figure, a boy, stands to the right of the scene. He holds a tray bearing what seems to be a goblet or drinking vessel, suggesting that refreshments are being served during this intimate performance. His gaze is directed toward the viewer, creating a subtle connection and inviting observation of the unfolding event.
The lighting in the painting is carefully controlled, with strong chiaroscuro effects emphasizing the figures and highlighting their clothing. The dark background creates depth and focuses attention on the central group. Details such as the texture of the fabrics, the sheen of the instruments, and the delicate rendering of facial features demonstrate a high level of technical skill.
Beyond the surface depiction of a musical gathering, subtexts relating to social status and domesticity emerge. The refined clothing and elegant surroundings suggest a wealthy household. Music-making was an important pastime for the elite during this period, often signifying education and cultural refinement. The presence of the boy with the tray hints at the hierarchical structure within the home, where servants would attend to the needs of the family.
The overall impression is one of quiet elegance and understated enjoyment, offering a glimpse into the private lives of a privileged class.