Nicolas Poussin – Self Portrait Part 4 Louvre

The composition presents a man positioned in what appears to be his studio, gazing directly at the viewer with a solemn expression. He is depicted from the chest upwards, set against a backdrop that includes another painting on an easel. The figures attire consists of a dark, voluminous cloak draped over his shoulders, and he holds a long, thin brush in his right hand, its handle adorned with a red ribbon. A ring is visible on the same finger.
The artist’s face bears the marks of age; deep lines etch themselves around his eyes and mouth, conveying an impression of profound contemplation or perhaps weariness. His hair, dark and long, frames his face, contributing to a sense of gravitas. The lighting emphasizes the planes of his features, highlighting the texture of his skin and adding depth to his expression.
The painting on the easel behind him is partially visible; it portrays a female figure in classical garb, suggesting an engagement with mythological or historical subjects – a common theme for artists of this period. This inclusion serves as a visual cue to the artist’s profession and artistic interests. The inscription at the bottom corner, rendered in Latin, further reinforces his identity as a painter working in Rome.
The overall effect is one of quiet dignity and self-awareness. Here we see not merely a likeness but an attempt at portraying an individual within the context of his craft and intellectual pursuits. The deliberate inclusion of the easel and the partially visible painting suggests a desire to present oneself as both artist and creator, actively engaged in the process of artistic production. The direct gaze establishes a connection with the viewer, inviting reflection on the nature of representation and the role of the artist within society. The subdued color palette and careful arrangement contribute to an atmosphere of introspection and seriousness, characteristic of the era’s aesthetic values.