Part 4 Louvre – Louis Léopold Boilly (1761-1845) -- The Downpour
1805, 32х40
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has skillfully captured the immediacy of the event through dynamic brushwork and a muted color palette dominated by grays, browns, and ochres. The rain itself is suggested not through direct depiction but through the blurred forms of umbrellas held aloft by various individuals in the background and foreground. These umbrellas, rendered in shades of green and red, punctuate the scene with splashes of color, preventing it from becoming entirely monochromatic.
Beyond the immediate visual impact, the painting conveys a sense of social commentary. The family’s relatively dry state, despite being exposed to the rain, hints at their privileged position within society. They are shielded, both literally and figuratively, from the full force of the elements. In contrast, other figures – a vendor with his wares, a woman carrying a baby, and several onlookers – appear more vulnerable and inconvenienced by the weather. Their expressions range from annoyance to resignation, highlighting the disparities in experience based on social standing.
The setting itself is significant. The backdrop reveals a Parisian street lined with buildings, suggesting an urban environment characterized by both grandeur and everyday life. The architecture, though somewhat indistinct, contributes to the overall sense of place and time period. The inclusion of a small dog at the man’s feet further reinforces the image of domesticity and affluence.
Subtly embedded within this seemingly straightforward depiction of a rainy day are themes of class distinction, resilience in the face of adversity, and the fleeting nature of everyday moments. The artist has not merely recorded an event; he has offered a glimpse into the social fabric of his time, revealing both its beauty and its inherent inequalities.