Lucas Van Leyden – Virgin and Child with Two Angels
1523 engraving
Location: Davis Museum and Cultural Center
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The central female figure, presumably a mother, holds the child close to her chest in a protective posture. Her gaze is directed slightly downward and outward, conveying a sense of gentle contemplation rather than direct engagement with the viewer. She wears a head covering that frames her face and adds to the solemnity of the scene. The child appears to be reaching towards one of the winged figures, creating a dynamic interaction within the group.
The two angelic beings flank the mother and child. One angel is positioned close to the tree, leaning in with an expression suggesting attentiveness or perhaps offering support. The other angel stands further away, partially obscured by the foliage, maintaining a more distant observation. Their wings are rendered with meticulous detail, emphasizing their otherworldly nature.
The setting appears to be a natural landscape, indicated by the presence of rocks, grass, and vegetation. A small tablet rests on the ground in the foreground, its purpose unclear but potentially symbolic – perhaps representing divine law or prophecy. The artist employed cross-hatching extensively to create tonal variations and define forms, lending depth and texture to the composition.
Subtleties within the drawing suggest a narrative beyond the immediate depiction of maternal tenderness. The placement of the tree could symbolize shelter, protection, or even a connection to the divine realm. The fence might represent boundaries between the sacred and the profane, or perhaps delineate a space of refuge. The child’s gesture towards an angel hints at his future destiny and role within a larger spiritual narrative. Overall, the drawing conveys a sense of quiet reverence and invites contemplation on themes of faith, protection, and divine intervention.