Élisabeth Louise Vigée Le Brun – Louise-Marie-Adélaïde de Bourbon-Penthièvre, duchesse d’Orléans
1789
Location: Palace of Versailles (Château de Versailles), Paris.
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Here we see the subject dressed in a pale, flowing gown of simple design. The fabric drapes loosely around her form, suggesting an understated elegance that contrasts with the elaborate hairstyles prevalent during this period. A dark sash cinches her waist, providing a subtle accent to the otherwise muted color palette. Her hair is styled in soft curls and arranged beneath a large, intricately constructed headdress – a significant marker of status and fashion. The volume of the hairstyle, while characteristic of the era, seems less ostentatious than might be expected, contributing to the overall impression of restrained refinement.
The woman rests her arm on a plush red cushion, which serves as part of an upholstered chair or sofa. This gesture introduces a sense of relaxed informality, softening any potential rigidity in her posture. The background is rendered in muted tones, creating depth and drawing attention to the figure. It lacks specific detail, suggesting a focus on psychological portraiture rather than environmental depiction.
Subtleties within the painting hint at underlying narratives. The gentle sadness conveyed through her expression might suggest personal burdens or anxieties common among women of high standing during times of political upheaval. The simplicity of her attire, while fashionable, could be interpreted as a deliberate rejection of excessive display – perhaps signaling a shift in social values or a quiet form of dissent against the extravagance associated with the aristocracy. The overall effect is one of dignified composure and understated grace, portraying a woman who embodies both privilege and vulnerability.