Before the gates there sat On either side a formidable shape Gustave Dore (1832-1883)

The engraving presents a scene dominated by monumental architecture and figures imbued with a sense of foreboding. Here we see massive columns, intricately carved with what appears to be foliage or stylized ornamentation, forming a gateway that recedes into darkness. The perspective emphasizes the scale of these structures, dwarfing the figures positioned before them.
Two distinct entities flank the entrance. On the left, a winged figure reclines upon a rocky outcrop, its posture suggesting weariness or perhaps resignation. Its wings are partially obscured by the surrounding terrain, lending an air of vulnerability despite its apparent celestial nature. To the right stands another figure, also winged, but in a markedly different pose. This individual is upright, actively gesturing towards the gateway with a pointed arm. The stance conveys authority and direction, suggesting a role as guide or sentinel.
The central foreground features a smaller, human-like form lying prone on the ground. Its position appears passive, perhaps indicating submission or defeat. The figure’s vulnerability contrasts sharply with the imposing presence of the winged entities and the grandeur of the architectural backdrop.
The artist employed extensive crosshatching to create a palpable sense of texture and depth throughout the composition. This technique is particularly evident in the rendering of the columns and rocky terrain, contributing to an overall atmosphere of solemnity and mystery. The limited tonal range – primarily grayscale – further enhances this mood, avoiding any bright or cheerful hues that might detract from the scene’s gravity.
Subtly, the engraving explores themes of choice, consequence, and perhaps even temptation. The reclining figure may represent a fallen angel or a soul burdened by regret. The gesturing figure could embody divine judgment or an inescapable destiny. The prone form suggests the potential for redemption or eternal loss. The gateway itself serves as a symbolic threshold – a point of no return – leading into an unknown realm shrouded in shadow. The composition’s power lies not only in its visual impact but also in its capacity to evoke profound questions about human existence and the nature of good and evil.