Now to the ascent of that steep savage hill Satan hath journeyd on pensive and slow Gustave Dore (1832-1883)

The drawing presents a solitary figure poised atop a precipitous rock formation, overlooking a vast and undulating landscape. The composition is dominated by a strong diagonal line created by the ascent of the hill, which draws the eye upwards towards a radiant, almost blinding light emanating from the upper portion of the scene. This light source appears to be breaking through dense cloud cover, suggesting an unattainable ideal or a realm beyond earthly reach.
The figure itself is rendered with a deliberate ambiguity; its posture conveys weariness and introspection rather than defiance or triumph. The wings, partially obscured by the angle of view, hint at a fallen nature, yet their presence also suggests a lingering aspiration towards that distant illumination. The artist has chosen to depict the individual in profile, emphasizing his solitude and internal struggle.
The landscape below is rendered with meticulous detail, showcasing a dense network of vegetation and topographical variations. This detailed rendering contrasts sharply with the simplified form of the figure, further isolating him within the scene. The foliage appears somewhat barren or stunted, perhaps symbolizing the desolation that accompanies this journey.
Subtly, the drawing explores themes of exile, regret, and the yearning for redemption. The steepness of the hill signifies a difficult path, while the light above represents an elusive goal. The figures contemplative stance suggests a complex emotional state – a mixture of sorrow, determination, and perhaps even a flicker of hope. The overall effect is one of profound melancholy tempered by a persistent desire to overcome adversity. The artist’s use of stark contrasts in value reinforces this sense of internal conflict and the challenging nature of the ascent.