Paul Louis Delance – The Famine between 1870-71
1889. oil on canvas
Location: Museums of Paris (Musées de la Ville de Paris), Paris.
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The perspective leads the eye towards the right side of the painting where two figures stand in close proximity, engaged in what seems to be a mournful embrace. Their gestures are laden with sorrow; one figure leans heavily on the other, conveying an overwhelming sense of grief or resignation. The background reveals a townscape characterized by modest dwellings and industrial structures – chimneys rise prominently against the overcast sky, hinting at economic activity but offering little solace to those depicted in the foreground.
The artist’s use of light is particularly significant. It is diffused and weak, contributing to the overall feeling of oppression. Shadows are long and deep, further emphasizing the somber mood. The lack of vibrant color reinforces the sense of deprivation and hopelessness. Theres a deliberate blurring of details; figures appear indistinct, almost spectral, suggesting their anonymity within a larger crisis.
Subtly, the painting speaks to themes of societal neglect and human suffering. It is not merely a depiction of physical hunger but also an exploration of emotional devastation – the loss of hope, the burden of grief, and the fragility of human connection in times of extreme adversity. The composition avoids overt sentimentality; instead, it presents a stark and unflinching portrayal of hardship, inviting contemplation on the causes and consequences of widespread suffering.