Состав росписей Капеллы Скровеньи Giotto di Bondone (1266-1337)

The presented diagram offers a schematic overview of a complex narrative cycle, likely representing a fresco program within a larger architectural structure. It is structured as a layered arrangement of numbered panels, accompanied by two distinct lists detailing the chronological sequence of events depicted in each panel. The layout suggests a deliberate organization intended to guide viewers through a series of biblical stories.
The visual language employed is one of abstraction and categorization. Instead of portraying scenes directly, the diagram utilizes geometric shapes – primarily rectangles – to denote individual panels or sections within the larger narrative. These shapes are differentiated by color, indicating thematic groupings: blue designates episodes from the life of Mary, red focuses on events in the life of Christ, while other colors likely represent supporting narratives or allegorical elements. Numerical labels are consistently placed within each shape, providing a direct link to the accompanying textual descriptions.
The two lists positioned alongside the diagram serve as explanatory keys. The История Иоанна (History of John) list details events related to John the Baptist and his role in preparing for Christs arrival. The “История Марии” (History of Mary) list outlines key moments from Mary’s life, beginning with her conception and culminating in her assumption. A third list, История Иисуса Христа (History of Jesus Christ), provides a sequential account of Christ’s earthly existence, from his birth to his resurrection.
The diagrams design emphasizes order and didactic purpose. The systematic arrangement of panels and the detailed textual annotations suggest an intention to educate viewers about religious history through a structured visual guide. It is not intended as a work of art in itself but rather as a tool for understanding and navigating a larger artistic endeavor – a comprehensive fresco cycle designed to convey theological narratives within a specific architectural context. The presence of Allegories of Dorotheus and Proverbs suggests the inclusion of symbolic or moralizing elements alongside the primary historical accounts, adding layers of meaning intended to resonate with a learned audience.