Metropolitan Museum: part 3 – Jan van der Heyden - The Huis ten Bosch at The Hague and Its Formal Garden (View from the South)
Jan van der Heyden: Dutch, Gorinchem 1637–1712 Amsterdam ca. 1668–70; Oil on wood; 15 3/8 x 21 3/4 in. (39.1 x 55.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The formal garden occupies a significant portion of the foreground. It is characterized by precisely arranged box hedges forming geometric patterns – a clear demonstration of human control over nature. A pathway leads towards the manor house, guiding the viewers gaze. Several figures are present in the lower section: three individuals dressed in period attire appear to be engaged in conversation or leisurely activity near a discarded seashell. Their presence introduces a sense of scale and subtly suggests the social context of this setting – a place for recreation and display.
The sky occupies a substantial portion of the upper register, displaying a dynamic arrangement of clouds that diffuse the light and create atmospheric depth. The color palette is restrained, dominated by earth tones in the garden and building, contrasted with the lighter blues and whites of the sky. This contrast enhances the sense of distance and emphasizes the architectural structure as a focal point.
Beyond the immediate foreground, glimpses of distant trees and landscape elements are visible, hinting at a broader environment beyond the confines of the estate. The dark background creates a frame that draws attention to the central subject matter.
Subtly, the painting conveys themes of order, prosperity, and social status. The meticulous arrangement of the garden speaks to a desire for control and refinement, while the grand manor house symbolizes wealth and power. The inclusion of figures suggests an environment designed for enjoyment and display, reinforcing the notion of privilege and leisure. The overall impression is one of cultivated beauty and controlled elegance, indicative of a specific social order and aesthetic sensibility.