Metropolitan Museum: part 3 – Hubert Robert - The Bathing Pool
Hubert Robert: French, Paris 1733–1808 Paris Oil on canvas; 68 3/4 x 48 3/4 in. (174.6 x 123.8 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Several figures populate the scene; they appear engaged in leisurely activities within the pool and on its surrounding steps. Their poses are relaxed, almost languid, evoking a sense of idyllic tranquility. However, this serenity is subtly undermined by the overall atmosphere of ruin. The statues flanking the pool’s edge are eroded and damaged, further emphasizing the passage of time and the impermanence of human creations.
The artist employed a muted palette, dominated by greens, browns, and grays, which contributes to the melancholic mood. Light plays an important role; it filters through the dense foliage, creating dappled shadows that enhance the sense of depth and mystery. The sky, rendered with loose brushstrokes, suggests an impending storm or a moment of transition.
Subtly, the painting explores themes of civilization versus nature, permanence versus decay, and perhaps even the fleeting nature of pleasure and beauty. The classical architecture, intended to represent order and refinement, is gradually being absorbed by the wildness of the surrounding landscape. This juxtaposition invites contemplation on the cyclical processes of creation and destruction, suggesting that all human endeavors are ultimately subject to the forces of time and nature. The figures’ carefree existence contrasts with the palpable sense of loss embedded within the architectural ruins, creating a complex interplay between joy and melancholy.