Metropolitan Museum: part 3 – Simon de Vlieger ca. 1600/1601–1653 Weesp) - Calm Sea
Simon de Vlieger ca. 1600/1601–1653 Weesp): Dutch, Rotterdam (? after 1640; Oil on wood; 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm)
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Here we see a large sailing vessel positioned prominently on the right side of the frame. Its sail is partially unfurled, suggesting its either preparing for departure or returning from a journey. A group of figures are clustered near the stern, their postures indicating a sense of quiet industry or perhaps casual conversation. To the left, smaller boats and distant sails dot the water, contributing to an impression of ongoing maritime commerce.
The artist has rendered the clouds with considerable attention to detail, employing a range of grey and white tones to convey depth and volume. These formations dominate the upper portion of the painting, creating a sense of atmospheric perspective and drawing the viewers eye upwards. The light filtering through these clouds casts subtle shadows on the water’s surface, adding visual interest and realism.
The subdued color palette – primarily consisting of greys, blues, and browns – contributes to an overall mood of tranquility and quiet observation. There is a deliberate lack of dramatic incident; instead, the painting focuses on capturing the everyday rhythms of life at sea. The absence of any obvious narrative elements encourages contemplation about the relationship between humanity and nature, and the enduring presence of maritime activity in shaping human experience.
Subtly, the composition hints at themes of labor and livelihood. The boats are not depicted as engaged in a dramatic event but rather as instruments of work, suggesting the importance of seafaring for the sustenance and prosperity of coastal communities. The vastness of the sea and sky also evokes a sense of humility before the power of nature, reminding the viewer of humanity’s place within a larger cosmic order.