Metropolitan Museum: part 3 – Charles Rémond - View of Ischia from the Sea
Charles Rémond: French, Paris 1795–1875 Paris 1842; Oil on paper, laid down on canvas; 10 1/8 x 14 1/8 in. (25.7 x 35.9 cm)
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The shoreline features a cluster of buildings constructed in what appears to be a Mediterranean style – whitewashed structures with arched openings and domed roofs. These are nestled into the contours of the hill, creating a sense of integration between the built environment and the natural landscape. A rocky promontory juts out from the right side of the composition, adding depth and visual interest to the scene.
The color palette is restrained, with muted tones of blue, grey, and ochre prevailing. The sky exhibits subtle gradations of color, suggesting a dawn or dusk setting. Light plays across the water’s surface, creating shimmering reflections that contribute to the overall atmospheric effect. The artist has employed a loose brushstroke technique, which lends a sense of immediacy and spontaneity to the work.
Beyond the straightforward depiction of a coastal landscape, the painting hints at themes of travel, commerce, and perhaps even colonial presence. The ship’s size and the smoke emanating from it imply trade or military activity. The settlement itself, with its distinctive architecture, evokes a sense of place and cultural identity. Theres an underlying feeling of tranquility, but also a suggestion of human intervention within a natural setting. The composition invites contemplation on the relationship between humanity and the environment, as well as the historical context of maritime exploration and trade in the Mediterranean region.