#19039 Matias Quetglas

The composition presents a still life arranged on a drop-leaf table, set against a plain wall. The light source appears to originate from the upper left, casting strong highlights and deep shadows that emphasize the textures of the objects and the tabletop itself. A sense of domesticity pervades the scene; it is not an opulent display but rather a glimpse into a functional space.
The arrangement is deliberately cluttered, yet possesses a certain order. A cluster of unripe bananas dominates the right side of the table, their vibrant green contrasting with the muted tones of the other objects. To the left, a collection of tools – a saw, pliers, and what appears to be a small wrench – are grouped together, suggesting recent or ongoing work. These items are positioned near a yellow bottle, likely containing oil or another household substance. A glass sits next to a folded piece of paper and a pair of scissors, hinting at interrupted tasks or correspondence.
A vase holding a few lilac-colored flowers provides a focal point in the center of the composition. The flowers’ delicate fragility contrasts with the solidity of the surrounding objects. Adjacent to them is a circular object – a gear or wheel – which introduces an element of mechanical precision into the otherwise organic arrangement. A glass bottle, partially filled with liquid, stands near the bananas, reflecting light and adding depth to the scene.
The floor tiles are rendered in warm tones, their pattern contributing to the overall sense of realism. The wall behind the table is painted a neutral gray, allowing the objects on the table to take center stage.
Subtly, the painting evokes themes of labor, domesticity, and the passage of time. The tools suggest industry or repair work, while the flowers and paper imply moments of rest or communication. The unripe bananas could symbolize potential, growth, or a sense of incompletion. The overall effect is one of quiet observation – a snapshot of everyday life, imbued with a melancholic stillness.