Kunsthistorisches Museum – Daniel Seghers (1591-1661) and Jan Boeckhorst (1605-1668) -- Holy Family Surrounded with Flowers
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The floral arrangement is the dominant visual feature. A profusion of blooms – roses, lilies, daffodils, and other varieties – overflows from the cartouche’s borders, cascading downwards in a display of abundance. The flowers are meticulously rendered, their petals exhibiting subtle gradations of color and texture. Interspersed among the blossoms are leaves and vines, contributing to an overall sense of lushness and natural vitality. A butterfly is delicately placed amongst the foliage on the left side, adding a touch of lightness and fleeting beauty.
The dark background serves to heighten the luminosity of both the figures and the flowers, drawing the viewer’s attention directly to the central scene. The gilded cartouche acts as a visual barrier, isolating the devotional image from the surrounding space and elevating its significance.
Subtextually, the work seems to explore themes of protection, abundance, and divine grace. The floral wreath can be interpreted as a symbol of paradise or heavenly reward, enveloping the Holy Family in an atmosphere of sanctity. The butterfly’s presence might allude to resurrection or spiritual transformation. The overall effect is one of serene piety, suggesting a moment of quiet contemplation and reverence for the sacred figures depicted within. The meticulous detail and rich symbolism point towards a deliberate intention to convey profound religious meaning through visual representation.