Raphael – Eusebius of Cremona Raising Three Men from the Dead with Saint Jerome’s Cloak
1502-03. 25x44
Location: National Museum of Ancient Art, Lisbon (Museu Nacional de Arte Antiga).
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Surrounding the central event is a crowd of onlookers. On the left, a group of men in richly colored garments and hats observe with varied expressions of awe and concern. On the right, another group watches, some with hands clasped in prayer, indicating their belief or hope in the miracle. The landscape behind them is hilly and distant, with a hint of a settlement or city on a far-off ridge, suggesting the event takes place in a recognized, perhaps holy, location. The sky is a pale blue, contributing to the overall somber yet hopeful mood.
The subtext of the painting lies in its demonstration of divine power and the efficacy of sacred relics. The title explicitly states that Saint Jeromes cloak is involved, implying that its touch or presence brings about the resurrection. This highlights the medieval and Renaissance belief in the power of saints and their associated objects to perform miracles. The painting serves as a visual testament to faith, divine intervention, and the veneration of saints within the Christian tradition. The contrast between the lifeless bodies and the animated onlookers, along with the focused intensity of Eusebius, emphasizes the transformative power of faith and miracles.