Lovis Corinth – In the morning
1900. 74x60
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a warm palette dominated by ochres, reds, and creams, which contributes to the overall feeling of intimacy and tranquility. The brushwork is loose and expressive, particularly evident in the rendering of the figure’s flesh tones and the folds of the fabric. This technique lends a sense of immediacy and vitality to the scene.
Behind the central figure, a bed is visible, partially obscured by shadows and draped with white linens. A small table stands to the left, holding a candle that casts a gentle glow on the surrounding surfaces. The window, positioned behind the woman, allows diffused light to enter the room, illuminating her form and creating subtle highlights across her skin.
The presence of a dark green beret perched atop the woman’s head introduces an element of ambiguity. It suggests a connection to artistic or intellectual circles, hinting at a life beyond the confines of this private space. The chair positioned in the foreground adds depth to the composition and frames the figure, drawing the viewers attention towards her.
Subtly, the painting explores themes of solitude, vulnerability, and perhaps nascent creativity. The woman’s gaze suggests an internal dialogue, while the partially revealed body conveys a sense of unguardedness. The domestic setting, combined with the artistic accessory, creates a tension between privacy and public identity, hinting at the complexities of self-perception and representation. The overall effect is one of quiet observation, inviting the viewer to ponder the woman’s thoughts and emotions in this fleeting moment of morning stillness.