Michael ‘Angelo’ Rooker – Merton College, Oxford
1771. 71×91
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the central edifice, a smaller, similarly aged building with crenellations is visible, its facade displaying an arched gateway. This suggests a fortified or protected nature, perhaps indicative of a time when such institutions required defense. A carriage drawn by horses occupies the foreground, positioned on a cobbled street that recedes into the distance. The presence of this conveyance and the figures accompanying it – a liveried servant and several hounds – hints at an aristocratic or affluent patronage associated with the institution.
Several individuals are scattered along the street, some appearing to be students or scholars in academic dress, while others seem to be townspeople going about their daily lives. This juxtaposition of scholarly pursuits and everyday activity creates a sense of continuity and integration within the community. The sky is overcast, lending a somber tone to the scene, yet diffused light illuminates the buildings and figures, preventing the atmosphere from becoming oppressive.
The artist’s use of perspective emphasizes the depth of the composition, drawing the viewers eye towards the vanishing point in the distance. The palette is muted, dominated by earthy tones – grays, browns, and creams – which contribute to a feeling of antiquity and gravitas. The overall impression conveyed is one of tradition, learning, and established social order within a timeless setting. There’s an underlying sense of quiet dignity and intellectual pursuit that permeates the scene, suggesting a place steeped in history and academic rigor.