Hannah More John Opie (1761-1807)

Here we observe a portrait rendered in monochrome engraving, presenting a woman depicted from the chest upwards. The composition is formal and restrained, characteristic of late eighteenth-century portraiture. She is positioned at a slight angle to the viewer, her gaze directed towards an indeterminate point beyond the frame. This positioning creates a sense of quiet contemplation rather than direct engagement.
The subject’s attire contributes significantly to the overall impression. A high-necked gown with delicate lace detailing frames her face and shoulders, suggesting modesty and refinement. The elaborate coiffure, typical of the period, is meticulously rendered, demonstrating the engravers skill in capturing texture and volume. It also serves as a visual marker of social status and adherence to fashionable norms.
The shading employed throughout the engraving emphasizes the contours of her face and clothing, lending depth and dimension to the image. The subtle play of light and shadow highlights her features – particularly her eyes and mouth – conveying an impression of intelligence and perhaps a hint of melancholy.
Beneath the portrait, a cursive inscription identifies the subject as H. Mai. This abbreviated signature suggests a deliberate attempt at understated recognition, aligning with the overall tone of dignified reserve. The engraving’s style and the subjects presentation imply a person of considerable intellect and social standing, likely engaged in intellectual or literary pursuits. The formality of the portrait reinforces an image of propriety and moral seriousness, hinting at a persona defined by virtue and education.