The Annunciation Sir Edward Burne-Jones (1833-1898)

Here we observe a vertical composition framed by a pointed arch, evoking the form of stained glass. The scene unfolds within a dense thicket of foliage, predominantly rendered in shades of deep red and green, which serves as both backdrop and enclosure for the two figures depicted.
The taller figure, positioned on the left side of the frame, appears to be gesturing towards the smaller figure seated below. This individual is draped in flowing robes of blue and grey, with a halo encircling their head. The posture suggests an inclination forward, a leaning into the space occupied by the other person. A ribbon or scroll unfurls from this figure’s hand, its inscription illegible but visually significant as a conduit of communication.
The seated figure is clad in a red garment and also possesses a halo. Their hands are clasped in what appears to be a gesture of prayer or contemplation, their gaze directed downwards. The face exhibits an expression that blends apprehension with quiet acceptance. A sense of vulnerability emanates from this posture.
The floral elements woven throughout the composition – particularly the white blossoms interspersed among the darker foliage – introduce a motif of purity and renewal. They soften the overall darkness and provide visual contrast to the dominant red hues, which might symbolize passion or sacrifice.
The artist’s use of flattened perspective and stylized forms contributes to an otherworldly atmosphere. The lack of spatial depth emphasizes the symbolic nature of the event being portrayed rather than striving for realistic representation. The dense foliage creates a sense of intimacy and seclusion, suggesting a private moment unfolding away from the external world. The overall effect is one of solemn reverence and quiet drama, hinting at a pivotal encounter laden with spiritual significance.