Samuel Pepys (1633-1703), Secretary to the Admiralty Sir Godfrey Kneller (1646-1723)

The engraving presents a man in a formal pose, depicted within an oval frame bordered by a geometric pattern. He is positioned facing forward, his gaze directed towards the viewer with a measured expression. The subjects attire consists of a dark coat and a white cravat at his neck, indicative of a position of authority or status during the period. A voluminous wig, characteristic of the late 17th century, frames his face and cascades down his shoulders.
The artist has rendered considerable detail in the rendering of the man’s features: the subtle lines around his eyes, the texture of his skin, and the careful depiction of his hair all contribute to a sense of realism. The use of light and shadow creates depth and volume, emphasizing the contours of his face and the folds of his clothing.
Beneath the portrait, handwritten text appears in an elegant script. This includes what seems to be a signature alongside a date – 27 April 1669 – suggesting this is a personal document associated with the individual depicted. The inscription further clarifies that the work was “From an Original by Sir Godfrey Kneller,” establishing its provenance and attributing it to a known artist of the time. A note below indicates the signature is from an original letter, in the possession of John Thane.
The overall effect conveys a sense of gravitas and importance. The formal pose, elaborate attire, and inclusion of a personal signature all contribute to constructing an image intended to project authority and establish the subject’s place within the social hierarchy. The presence of the artists name and the handwritten text adds layers of information, transforming the portrait from a simple likeness into a document that speaks to both artistic skill and historical context.