Robert Hubert (Paris 1733-1808) – Demolition of the Château Meudon (114x145 cm) 1806 J. Paul Getty Museum

J. Paul Getty Museum – Robert Hubert (Paris 1733-1808) - Demolition of the Château Meudon (114x145 cm) 1806

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J. Paul Getty Museum - Remont Jean-Charles-Joseph (Paris 1795-1875) - Rocky landscape with the road to Naples (53x75 cm) 1821-25

J. Paul Getty Museum - Рени Гвидо (1575 Кальвенцано - 1642 Болонья) - Иосиф и жена Потифара (129х170 см) ок1630

J. Paul Getty Museum - Ricci Sebastiano (1659 Belluno - 1734 Venice) - Diana with a dog (74x55 cm) 1700-05

J. Paul Getty Museum - Ricci Sebastiano (1659 Belluno - 1734 Venice) - Tarquinius the Ancient asks Attius Navia (162x138 cm) c.1690

J. Paul Getty Museum - Ricci Sebastiano (1659 Belluno - 1734 Venice) - Aeneas with the head of Medusa in front of Phineus (64x77 cm) 1705-10

J. Paul Getty Museum - Robert Hubert (Paris 1733-1808) - Praying hermit in the ruins of an ancient Roman temple (58x71 cm) c1760

J. Paul Getty Museum - Rocca Michele (Michele da Parma) (1666 Parma - 1751 Venice) - Penitent Mary Magdalene (48x37 cm) c.1698

J. Paul Getty Museum - Romano Giulio (Giulio Pippi) (1499 Rome - 1546 Mantua) - The Birth of Bacchus (126x79 cm) 1530s

J. Paul Getty Museum - Romano Giulio (Giulio Pippi) (1499 Rome - 1546 Mantua) - Holy Family (78x62 cm) 1250-23

J. Paul Getty Museum - Rubens Peter Paul (1577 Siegen - 1640 Antwerp) - Miracle of St. Francis of Paola (97x77 cm) ca1628

J. Paul Getty Museum - Cezanne Paul (Aix-en-Provence 1839-1906) - Eternal femininity (65x79 cm) 1893-94

J. Paul Getty Museum - Solimena Francesco (1657 Nocera di Pagani - 1747 Barra near Naples) - Death of Messalina (165x224 cm) ca1708

J. Paul Getty Museum - Solomon Abraham (London 1823-1862) - Not Guilty (acquitted) (63x88 cm) 1859

J. Paul Getty Museum - Sten Jan Hawiks (Leiden 1626 - 1679) - Satyr visiting peasants (51x46 cm) 1660-62

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The picture has something of this: architecture, building, town, home, city, waste, daylight, outdoors, landscape, ancient, people, house, castle, stone.
Perhaps it’s a painting of the ruins of a building with people in the foreground and onlookers on the other side of the building.

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