Master of St. Bartholomew of the altar (slave in Cologne 1480-1510) – Meeting of the three kings (63x71 cm) c.1480 J. Paul Getty Museum

The composition presents a scene unfolding within a landscape dominated by a large, gilded background. The artist has arranged figures across a shallow space, creating a sense of theatricality rather than deep perspective. A central group is positioned around a white horse, upon which a figure in elaborate robes sits. This individual appears to be the focal point, and gestures with an object held aloft – likely a trumpet or horn – drawing attention towards themselves.
Flanking this central grouping are other figures on horseback and foot, all adorned in rich fabrics and detailed garments. The color palette is vibrant, employing deep blues, reds, greens, and golds to distinguish the various costumes and banners. Several individuals hold scrolls bearing inscriptions, which likely contain dedications or textual references pertinent to the narrative being depicted.
The landscape itself is stylized; rocky formations rise abruptly from the ground, creating a backdrop for the procession. A figure in red robes stands atop one of these rock outcroppings, observing the scene below. The overall impression suggests a ceremonial event, possibly a royal entry or a religious celebration.
Subtleties within the painting hint at deeper meanings. The positioning of figures – some appearing to kneel or bow – suggests deference and reverence towards the central figure on horseback. The inclusion of the inscribed scrolls implies an emphasis on written authority or historical record. The landscape, while stylized, contributes to a sense of grandeur and otherworldliness, elevating the event beyond the mundane. The artist’s choice to place figures against a gold background reinforces this impression of sacredness and importance.