Veronese – The Miracle of St. Barnabas
c.1566 oil on canvas
Location: Fine Art Museum (Musée des Beaux Arts), Rouen.
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The boy appears unwell; his skin has a pallid quality, and he is partially draped in a pink cloth. A small child kneels beside him, looking up at the central figure with an expression of hopeful anticipation. The surrounding figures – a diverse group of men and women dressed in varied attire – react to the unfolding event. Some gaze intently on the scene, while others display expressions ranging from concern to awe. Several individuals are adorned with turbans or head coverings, hinting at a possible Eastern setting or the presence of foreign dignitaries.
The architectural backdrop is characterized by colossal Corinthian columns that frame the action and lead the eye towards a patch of sky visible in the distance. The light source appears to originate from above and behind the central figure, casting dramatic shadows and highlighting his form. This use of chiaroscuro contributes to the overall sense of theatricality and emphasizes the spiritual significance of the moment.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of healing. The presence of the book or scroll held by the central figure implies knowledge, wisdom, and perhaps divine instruction. The varied expressions on the faces of the onlookers could represent different levels of faith or understanding. The architectural grandeur underscores the power and authority associated with the event being depicted. The inclusion of individuals from diverse cultural backgrounds may signify a universal message of hope and redemption. Overall, the work conveys a narrative of miraculous intervention within a context of societal hierarchy and religious devotion.