Thomas Jones Barker – John Newton Mappin (1800-1884)
1877 oil on canvas
Location: Sheffield Galleries and Museums Trust, Museums Sheffield, Sheffield.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The setting appears to be a natural landscape – a gently sloping terrain dotted with rocks and foliage. In the background, indistinct mountains rise beneath a cloudy sky, establishing a sense of depth and vastness. The artist has employed a muted palette for the landscape, allowing the gentleman’s dark clothing to stand out prominently.
A small dog, likely a terrier or similar breed, sits attentively at his feet. Its presence adds an element of domesticity and companionship to the composition, softening the formality of the mans presentation. The dog is rendered with considerable detail, its fur meticulously depicted, suggesting affection for animals and perhaps hinting at leisure time spent outdoors.
The overall impression conveyed is one of established social standing and comfortable affluence. The gentleman’s attire and posture suggest a position of respectability within his community. The landscape backdrop implies access to rural estates or properties – a common marker of wealth in the period. The inclusion of the dog reinforces an image of a man who enjoys both societal prominence and personal comforts.
The composition is carefully balanced, with the gentleman positioned centrally and the dog acting as a visual anchor at his feet. The dark tones of the clothing are offset by the lighter hues of the landscape and the dog’s fur, creating a harmonious contrast that draws the viewers eye to the subject. The painting seems intended not merely as a likeness but also as a statement about character and social position.