Лютер проповедует, используя перевод Библии, находясь в заключении в Вартбургее 1882 * Hugo Vogel (1855-1934)

The composition presents a scene within what appears to be a fortified chamber or chapel. Light streams in from a large window adorned with stained glass, illuminating a central figure delivering a sermon. He stands at a lectern, gesturing emphatically while holding an open book – presumably a translation of scripture. His dark robes contrast sharply with the lighter attire of his audience.
The congregation is diverse; it includes women in modest garments, men in both clerical and military garb, and children observing from various positions within the room. A knight, seated prominently on horseback near the foreground, draws particular attention – his armor suggesting a connection to secular authority or perhaps a protector of the speaker’s cause. The presence of the horse itself adds an element of formality and potential power dynamics to the scene.
Several individuals display expressions of deep concentration or reverence while listening to the sermon. One woman in the foreground is depicted with her head bowed, seemingly lost in prayer or contemplation. Behind the central figure, a smaller group appears to be engaged in discussion or study, further emphasizing the intellectual and theological nature of the event.
The architectural setting contributes significantly to the overall atmosphere. The stone walls, arched windows, and decorative carvings suggest a place of both refuge and significance. A series of bas-relief sculptures are visible on the wall behind the speaker, hinting at a historical or religious narrative that informs the present moment. The tiled floor adds another layer of texture and detail to the composition.
Subtleties within the painting imply themes of faith, scholarship, and resistance. The act of translating scripture – a potentially subversive activity in its time – is presented as an act of devotion and intellectual labor. The confinement implied by the setting suggests a struggle against external forces or constraints. The knight’s presence introduces questions about the relationship between religious authority and secular power. Ultimately, the work seems to explore the intersection of personal conviction, theological innovation, and political circumstance.