James Ward – The Reverend Thomas Levett and favourite dogs, cock-shooting
1811. 71×92
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Two dogs accompany him; one, a black spaniel or setter, sits attentively near the man’s legs, while another, a larger hound with a dappled coat, rests closer to the base of a prominent tree. Their postures convey loyalty and readiness for action, reinforcing the impression of a hunting scene.
The surrounding woodland is rendered in considerable detail, utilizing a palette dominated by greens and browns. Light filters through the canopy, creating patches of illumination on the ground and highlighting the textures of the trees’ bark. The background reveals glimpses of open fields and a distant sky, suggesting a transition from the enclosed forest to a broader rural vista.
The composition seems designed to convey an image of landed gentry engaged in traditional pursuits. The mans attire and demeanor suggest wealth and leisure, while the presence of the dogs and the gun allude to his role as a sportsman and landowner. There is a deliberate construction of identity here; the scene isn’t merely about hunting but about presenting a particular social persona – one rooted in rural privilege and connection to the land.
The artist has skillfully employed light and shadow to create depth and atmosphere, drawing attention to the central figure while simultaneously embedding him within his natural environment. The overall effect is one of controlled elegance and understated authority, reinforcing the subject’s position within a hierarchical social structure.