Fra Angelico – La conversion de Saint Augustin
1430-35. 22x34
Location: Thomas Henry Art Museum (Musee d’Art Thomas Henry), Cherbourg.
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To the left, a person in a blue garment and red hood stands near a vibrant pink building. This figure appears to be in some distress as well, with a hand on their forehead, mirroring Augustines gesture. A peacock is perched atop the pink structure, adding a touch of symbolic detail, as peacocks can represent immortality or resurrection in Christian iconography. The architecture of the building is distinctly Renaissance, with arched windows and a grey, tiled roof.
In the background, lush green trees form a dense canopy, suggesting a garden or wooded area. Beyond the trees, fantastical rock formations rise, and a small cave-like opening reveals a glimpse of a contemplative figure, possibly representing the divine presence or an aspect of Augustines spiritual ascent. The overall scene is bathed in a soft, diffused light, contributing to the contemplative and spiritual atmosphere of the painting.
The subtext revolves around Augustines profound spiritual crisis and his subsequent conversion to Christianity. His distressed posture signifies his internal struggle with sin and worldly desires. The presence of the other figures, particularly the one mirroring his gesture, might represent his friends or spiritual guides, witnessing his suffering and perhaps praying for his salvation. The idyllic natural setting, with its flowers and greenery, often symbolizes paradise or spiritual awakening. The inclusion of the peacock and the celestial light implied by the halo all point towards the divine intervention and eventual grace that Augustine receives, leading to his transformation and embrace of faith. The painting captures the intense personal drama of a soul grappling with doubt and ultimately finding solace and purpose in God.