Fra Angelico – Saint Anthony Abbot Shunning the Mass of Gold
1435-40. 20x28
Location: Museum of Fine Arts, Houston.
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Слишком разница велика
Между Богом и человеком.
Непонятна она пока
Жить не будем тотальным светом.
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The landscape itself is divided into distinct zones. To the right, a large mound of gold dominates the foreground, rendered with an almost metallic sheen that catches the light. This pile appears to be the focal point of rejection; the man actively turns away from it. Behind this hoard, a rocky outcrop rises, further emphasizing the physical barrier between him and the material wealth.
In the middle ground, a gentler slope leads towards a cluster of trees, their foliage depicted with meticulous detail. Beyond these trees, a small building – perhaps a hermitage or simple dwelling – is visible, suggesting a place of refuge or spiritual retreat. The background sky is rendered in a deep blue hue, providing a sense of vastness and distance.
The painting’s subtexts revolve around themes of asceticism, spiritual renunciation, and the rejection of worldly possessions. The gold itself functions as a potent symbol of temptation and earthly desire. The mans gesture – a raised hand as if to ward off or dismiss something – underscores his deliberate choice to forsake material wealth in favor of a higher calling.
The landscape contributes significantly to this narrative. The rocky terrain suggests hardship and the challenges inherent in a life dedicated to spiritual pursuits. Conversely, the distant dwelling offers a promise of solace and connection with the divine. The overall effect is one of quiet determination and unwavering faith, portraying a figure who has consciously chosen a path of simplicity and devotion over the allure of riches. The artist’s use of light and shadow further enhances this sense of drama, highlighting the mans resolute stance against the glittering temptation before him.