Alvise Vivarini – The Assumpion of Mary
1480. 225x114
Location: Pinacoteca di Brera, Milano.
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Above this group, suspended within a golden halo, is the figure ascending towards an ethereal realm. She is enveloped in a flowing crimson mantle, which obscures much of her form and contributes to an impression of otherworldly grace. Her face, framed by dark hair, exhibits a serene composure, suggesting acceptance and transcendence. Surrounding her are several winged figures, presumably angels, who further emphasize the divine nature of this event.
The background landscape is characterized by rolling hills and distant architectural structures, rendered in a somewhat simplified manner. The perspective is compressed, creating a sense of depth while maintaining a focus on the central action. A city or town appears nestled within the landscape, hinting at the earthly realm from which the ascension takes place.
Subtly, the painting explores themes of faith, divine intervention, and the transition between mortality and immortality. The upward gaze of the figures below underscores their devotion and longing for something beyond the tangible world. The use of light – particularly the golden halo surrounding the ascending figure – symbolizes holiness and heavenly glory. The composition’s verticality reinforces the concept of ascension and spiritual elevation. The artists choice to depict a large group of onlookers suggests that this event is not merely personal, but carries significance for the wider community of believers.