KANTARINI SIMONE, NAMED PEZARETS – Rest on the flight to Egypt Louvre (Paris)

The composition presents a familial group in repose, set against a landscape that recedes into atmospheric distance. A mature man with a long beard and weathered face stands adjacent to a woman who cradles a small child. The mans posture is deferential; he leans slightly towards the woman, his gaze directed at her. She holds the infant close, enveloping him in a blue cloak while simultaneously offering him up with an outstretched arm. The child’s gesture appears inquisitive, as if reaching for something beyond the immediate scene.
The artist has employed a pyramidal structure to organize the figures, with the mother and child forming the apex of this visual arrangement. This placement emphasizes their central importance within the narrative. The womans garments are rendered in rich fabrics – a pink underdress visible beneath the deep blue cloak – suggesting status and care. The man’s attire is simpler, consisting of a tan robe over a white undershirt, indicating humility or perhaps a life dedicated to spiritual pursuits.
The landscape behind them contributes significantly to the overall mood. A hazy mountain range sits on the horizon, partially obscured by foliage. This creates a sense of depth and vastness, hinting at an arduous journey undertaken. The presence of scattered rocks and sparse vegetation reinforces the idea of a temporary halt in travel, a moment of respite amidst challenging circumstances.
Subtleties within the painting suggest deeper meanings. The child’s raised arm could be interpreted as a gesture of blessing or divine intervention. The womans expression is complex – it conveys tenderness but also a certain solemnity, perhaps reflecting the weight of her responsibility and the precariousness of their situation. The man’s gaze suggests both respect and concern.
The color palette is dominated by warm earth tones contrasted with the vibrant blue of the cloak. This contrast draws attention to the mother and child while grounding them within the natural setting. Overall, the work evokes a sense of quiet dignity, familial devotion, and the enduring hope found even in times of adversity.