MARTORELL BERNARDO – Scenes of the martyrdom of St. George: Flagellation; St. George is dragged tied to a horse Louvre (Paris)

The composition presents a scene of brutal suffering and subjugation, rendered with a stark realism characteristic of late medieval art. A central figure, evidently the focus of the narrative, is bound and dragged along by a horse. His posture conveys both physical distress and an unwavering gaze directed upwards, suggesting a spiritual fortitude amidst torment. The artist has emphasized his vulnerability through the depiction of exposed skin and the visible strain on his body as he’s pulled forward.
Around this central figure, a throng of individuals is arranged in tiers, creating a sense of overwhelming force. Soldiers wielding spears and other instruments of torture surround him, their expressions ranging from detached indifference to active cruelty. The presence of richly dressed figures – likely representing the ruling elite or those orchestrating the event – further underscores the power dynamic at play. Their elaborate garments and regal bearing contrast sharply with the suffering endured by the central figure, highlighting themes of injustice and oppression.
The color palette is dominated by earthy tones – browns, ochres, and reds – which contribute to a somber and weighty atmosphere. The use of red, particularly in the clothing of some figures and as accents within the scene, draws attention to the violence and bloodshed. The artist’s rendering of skin tones is notable; darker complexions are prevalent among the soldiers, potentially signifying their role as agents of power and control.
The arrangement of the crowd creates a visual hierarchy. Those closest to the central figure actively participate in his torment, while those further back observe with varying degrees of involvement. This layering suggests not only the immediate perpetrators but also the broader societal structures that enable such acts. The upward gaze of the bound man implies a connection beyond the earthly realm, hinting at themes of faith, sacrifice, and divine intervention.
The overall effect is one of intense emotional impact. The artist has eschewed idealized representations in favor of a raw depiction of suffering, prompting contemplation on themes of power, persecution, and resilience. The scene’s narrative ambiguity – the lack of explicit context regarding the cause of this torment – allows for broader interpretations concerning injustice and the endurance of faith under duress.