MILANO GIOVANNI DA – St. Francis of Assisi, c Louvre (Paris)

The painting presents a solitary figure within a shallow pictorial space. The individual stands in profile, facing left, and is positioned centrally against a gold background that extends upwards into a pointed arch. A narrow band of red defines the lower portion of the composition.
Here we see a man clad in a long, brown habit with a rope belt cinched at his waist. The garment’s folds are rendered with a degree of simplicity, suggesting an emphasis on the overall form rather than intricate detailing. A small piece of crimson fabric is visible beneath the robe, peeking out from within. He wears sandals on his feet and a cord encircles his neck, terminating in what appears to be a tassel or knot. His head is shaven, and he is crowned with a simple halo.
The man’s expression is solemn; his gaze directed forward, conveying an air of quiet contemplation. The artist has employed a limited palette – primarily browns, golds, reds, and subtle flesh tones – contributing to the works restrained and devotional character. Light falls evenly across the figure, minimizing harsh shadows and creating a sense of serenity.
The composition’s verticality reinforces the subject’s spiritual elevation. The pointed arch above his head directs the viewer’s eye upwards, further emphasizing this aspect. The gold background, typical of Byzantine artistic traditions, serves to elevate the figure from the earthly realm, suggesting his sanctity and connection to the divine.
Subtly, the painting conveys a sense of humility and austerity. The plainness of the clothing, the lack of ornamentation, and the restrained emotional expression all point towards a life dedicated to spiritual discipline and renunciation of worldly possessions. The overall effect is one of quiet dignity and profound religious devotion.