ROMANELLI GIOVANNI FRANCESCO – Three of the four historical scenes from the ceiling of the Hall of Septimius Severus in the summer apartments of Queen Mother Anne of Austria. Written in Louvre (Paris)

The composition presents four distinct narrative scenes arranged within a grid-like structure, each framed by elaborate gilded moldings that suggest their original placement as part of a larger ceiling decoration. The overall palette is warm and earthy, dominated by ochres, browns, and muted greens, punctuated by touches of red and blue in the figures’ garments. Light sources appear to originate from varied points within each scene, contributing to a sense of depth and dramatic emphasis.
The upper left panel depicts a regal figure seated on an elevated throne, attended by advisors or courtiers. The central figure wears a helmet adorned with elaborate ornamentation, suggesting authority and military prowess. A bearded man gestures towards the seated ruler, seemingly presenting a scroll or document. The scene conveys a sense of formal ceremony and political deliberation.
The upper right panel portrays a more dynamic moment. A muscular male figure kneels beside a body, holding a vessel that appears to contain water or some other liquid. Another figure stands nearby, observing the action with an expression of concern or solemnity. The presence of tents in the background indicates a military encampment or battlefield setting. This scene likely narrates a moment of healing or mourning within a conflict.
The lower left panel showcases a group of men engaged in what appears to be a procession or public gathering. One figure carries a small object, possibly an urn or ceremonial offering. The composition is characterized by movement and interaction between the individuals, suggesting a significant event unfolding before the viewer.
Finally, the lower right panel presents a mythological or allegorical scene. Two female figures, draped in flowing robes, are positioned around a central male figure who reclines on a stone structure. One of the women gestures towards the man with an expression that could be interpreted as either encouragement or warning. The presence of classical architectural elements and idealized human forms reinforces the painting’s connection to ancient mythology and artistic traditions.
Subtleties within the work suggest a deliberate layering of meaning beyond the immediate narrative. The consistent use of classical motifs, such as the draped garments and idealized physiques, evokes associations with Roman history and imperial power. The framing devices – the gilded moldings – emphasize the elevated status of these scenes, reinforcing their importance within the decorative scheme. The varying degrees of light and shadow across each panel contribute to a sense of theatricality, drawing attention to key moments and figures within each narrative. Overall, the arrangement conveys an impression of historical grandeur and allegorical significance, likely intended to reinforce themes of leadership, duty, and divine intervention for the audience viewing it in its original context.