Part 2 Louvre – Le Brun -- Moses Drawing Water from the Rock
c.1650, 114х153
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A group of individuals surrounds the central figure, their expressions ranging from supplication and awe to exhaustion and thirst. They are arranged in varying degrees of proximity to the rock, some kneeling or prostrate, others reaching out as if to partake in the miraculous event. The artist has rendered a range of ages and physical conditions within this assembly, emphasizing the universality of human need and dependence on divine intervention.
The landscape itself contributes significantly to the overall narrative. A towering rock mass looms over the figures, its dark coloration suggesting both permanence and an inherent resistance to being penetrated. Beyond it, a distant vista reveals rolling hills and a muted sky, creating a sense of vastness and isolation. The limited palette – dominated by earthy tones punctuated by the orange robe – reinforces the solemnity and gravity of the depicted event.
Subtleties within the composition hint at deeper meanings. The positioning of the figures suggests a hierarchy; those closest to the central figure appear more reverent, while others further away seem less certain or even skeptical. A woman in blue, seated near the base of the rock, cradles a child, introducing an element of familial tenderness and vulnerability within this otherwise austere scene. The presence of older individuals alongside younger ones underscores themes of generational continuity and faith passed down through time.
The artist’s attention to detail – the rendering of individual facial expressions, the folds in the drapery, the texture of the rock – contributes to a sense of realism that elevates the narrative beyond mere illustration. The scene is not merely about the act of drawing water from stone; it speaks to themes of faith, obedience, and the enduring power of divine provision amidst hardship.