Chardin, Jean-Baptiste Simeon – Les attributs des arts-the attributes of the arts, companion piece to 40-12-16/29, one of three supraporti for the Chateau de Choisy, 1765 Canvas, 91 x 145 cm INV.3199 Part 2 Louvre

The composition presents a seated female figure rendered in stark white against a dark, undefined background. She is positioned centrally within the frame and appears to be sculpted rather than painted, her form idealized and possessing a classical serenity. A crown rests upon her head, suggesting an allegorical or symbolic identity – perhaps representing one of the arts or a personification of creative inspiration itself.
Arranged around this central figure are various objects that immediately suggest artistic practices. A rolled canvas lies to the left, alongside brushes and what appears to be a palette with traces of pigment. To the right, a large conical object, possibly a perspective device used by draftsmen, is placed near a collection of writing implements and a partially unfurled scroll. These items are not haphazardly scattered; they seem deliberately positioned to create a visual narrative about the tools and processes involved in artistic creation.
The lighting contributes significantly to the painting’s overall effect. A strong light source illuminates the figure from the front, highlighting her form and casting deep shadows that obscure the background. This creates a sense of depth and emphasizes the symbolic nature of the scene. The darkness surrounding the central group isolates it, drawing the viewers attention directly to the objects associated with artistic endeavor.
The artist’s choice of muted colors reinforces the painting’s contemplative mood. The limited palette – primarily whites, browns, and blacks – avoids any distracting vibrancy, allowing the symbolic meaning of the scene to take precedence over purely aesthetic considerations.
Subtly, there is a sense of order and control within this arrangement. The objects are neatly organized, suggesting not just artistic practice but also the intellectual rigor and discipline required for creative production. This could be interpreted as a commentary on the role of art in society – not merely as entertainment or decoration, but as an activity demanding skill, knowledge, and dedication. The overall impression is one of quiet dignity and reverence for the arts.