French School, from Burgundy or Amiens?; formerly attributed to the Flemish School, to the School of Picardie – Mass of Saint Gregory (La Messe de Saint Gregoire) Part 2 Louvre

The composition presents a liturgical scene unfolding within a meticulously rendered architectural setting. Here we observe a central figure, presumably a priest or bishop, presiding over what appears to be a Mass. He is positioned behind an altar draped in white linen, holding aloft a chalice and paten, the implements of the Eucharist. His vestments are elaborate, featuring gold embroidery and a mitre, signifying his elevated status within the Church hierarchy.
Flanking him are two other figures clad in vibrant red robes, their heads covered with birettas; they appear to be assisting clergy, perhaps deacons or subdeacons, engaged in the ritualistic actions of the Mass. A fourth figure, dressed in a dark habit, kneels on the left side of the composition, his posture suggesting reverence and devotion. He is positioned slightly apart from the central group, creating a sense of separation and potentially representing a lay observer or penitent.
Above the altar, within an arched niche, stands a crucifix depicting Christ’s crucifixion. This placement reinforces the sacrificial nature of the Eucharist, drawing a direct parallel between the Mass being celebrated and Christs ultimate sacrifice for humanity. An angel hovers in the upper left corner, bearing a golden vessel – likely representing the manna from heaven or another symbol of divine sustenance – and unfurls a banner inscribed with Latin text. The inscription likely references a biblical passage related to the Eucharist or Saint Gregory’s life.
The setting is an interior space characterized by pointed arches and ribbed vaulting, typical of Gothic architecture. The floor is tiled in a checkerboard pattern, adding visual complexity and grounding the scene within a specific physical location. Light streams in from unseen sources, illuminating the figures and highlighting their garments.
Subtly, the painting conveys themes of piety, authority, and divine grace. The meticulous detail afforded to the vestments and architectural elements suggests an emphasis on ritualistic precision and the importance of religious institutions. The positioning of the kneeling figure introduces a note of humility and personal devotion within the larger context of communal worship. The overall effect is one of solemnity and reverence, intended to inspire contemplation and reinforce the sanctity of the Mass.