Part 2 Louvre – Pietro da Cortona (1596-1669) -- Venus, Hunting, appears to Aeneas
1630-35, 127х176
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The background is dominated by a lush forest, rendered with considerable detail in terms of foliage and light play. Within the canopy, several cherubic figures are visible, seemingly observing the unfolding events below. The sky above is painted with dramatic cloud formations, suggesting an atmosphere charged with emotion or significance. A glimpse of what appears to be a classical architectural structure – possibly a temple or shrine – is discernible on the far left edge of the canvas, partially obscured by foliage and distance.
The arrangement of figures suggests a moment of revelation or encounter. The woman’s outstretched hand implies an offering, a gesture of welcome, or perhaps even intervention. The Roman soldiers posture conveys a mixture of curiosity and caution, hinting at a narrative tension. The presence of the armed figure to his side introduces an element of protection or potential threat.
The cherubs nestled within the trees contribute to the scene’s allegorical nature; they function as witnesses to this divine encounter, reinforcing its mythical context. Their placement high above suggests their role as intermediaries between the mortal realm and a higher power. The landscape itself is not merely a backdrop but an active participant in the narrative, contributing to the overall sense of grandeur and timelessness.
Subtleties within the color palette further enhance the work’s meaning. The womans white garments symbolize purity or divinity, while the Roman soldier’s red cloak signifies power and authority. The interplay of light and shadow across the figures’ faces adds depth and complexity to their expressions, inviting contemplation on their individual roles in this mythological drama.