David, Jacques Louis – Catherine-Marie-Jeanne Tallard (1772-1825), wife of Francois Lamy, mayor of Sougere/Yonne. Painted 1795 Canvas, 64 x 54 cm R.F.1740 Part 2 Louvre

Here we observe a portrait study executed on canvas, depicting a woman in a three-quarter pose. The subject is positioned against a dark, undefined background that emphasizes her form and attire. Her gaze is directed towards the viewer, conveying a sense of directness and perhaps a subtle invitation to engagement.
The artist has rendered the sitter’s features with a degree of realism characteristic of late eighteenth-century portraiture. A soft modeling of the face suggests an attempt at capturing inner character rather than merely superficial likeness. The complexion is fair, subtly flushed with color on the cheeks, indicating health and vitality. Her lips are gently parted, hinting at a quiet composure.
The woman’s attire is notable for its simplicity and elegance. She wears a white cap of elaborate construction, composed of gathered fabric and delicate lace trimming. This headwear dominates the composition, drawing immediate attention to her face while also suggesting a certain social standing – though not overtly opulent. A dark-colored garment, likely a bodice or gown, is visible beneath the cap, its details somewhat obscured by the lighting. A thin ribbon adorns the neckline of this garment.
The handling of paint demonstrates an economy of means; the artist has prioritized capturing essential forms and textures over intricate detail. The brushwork appears relatively loose, particularly in the rendering of the fabric, which lends a sense of immediacy to the work. This informality contrasts with the more formal conventions often associated with portraiture of this period.
Subtleties within the painting suggest a narrative beyond mere representation. The simplicity of the dress and headwear might be interpreted as an indication of modesty or perhaps a deliberate rejection of ostentatious displays of wealth, potentially reflecting the political climate of the time – the French Revolution had recently concluded when this portrait was painted. The direct gaze could signify confidence and self-possession, while the slightly melancholic expression hints at underlying complexities. The dark background serves to isolate the sitter, emphasizing her individual presence and perhaps suggesting a sense of introspection or quiet dignity. Overall, the work conveys an impression of understated elegance and psychological depth.