Part 2 Louvre – Corot, Jean-Baptiste Camille -- The tanneries of Mantes, France. Oil on canvas (1783) 61 x 43 cm RF 1624
1783, 61х43
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Several figures populate the foreground. A man, positioned on the left, carries a bucket or container, his posture indicating labor. Further into the composition, two other individuals are engaged in what seems to be a process involving a long, red rope or cable that stretches across the space. The placement of these figures suggests an ongoing task, a routine embedded within the industrial environment.
The color palette is dominated by muted earth tones – grays, browns, and ochres – which contribute to the overall atmosphere of somberness and industry. The limited range of colors reinforces the impression of a practical, unadorned setting. A subtle warmth emanates from the red rope, providing a visual focal point amidst the predominantly cool hues.
The composition directs attention towards the receding perspective, drawing the viewers eye deeper into the tannery’s interior. This creates an effect of spatial ambiguity; the background remains indistinct, hinting at further structures and activities beyond what is immediately visible.
Subtly, the painting conveys a sense of quiet industry and the often-overlooked labor that sustains society. The absence of overt emotion in the figures emphasizes their role as components within a larger system. Theres an underlying melancholy evoked by the confined space, the muted colors, and the implied repetitive nature of the work. It is not merely a depiction of a place but also a meditation on human toil and its environment.