Perugino (c. 1450-1523) – Saint Sebastian Part 2 Louvre

The composition presents a male figure centrally positioned against a backdrop of classical architecture and landscape. He stands before a substantial column, which is framed by an arched opening that reveals a distant, hazy vista. Flanking the central figure are ornate pilasters, their decorative carvings adding depth to the architectural setting. The lower portion of the image is dominated by a dark, undefined space, punctuated by a Latin inscription running along the base.
The man’s posture conveys a sense of suffering and resignation. He gazes upwards with an expression that blends pain and acceptance. Numerous arrows are embedded in his body; some protrude from his chest and arms, while others appear to have been withdrawn, leaving visible wounds. A cloth loosely covers his lower torso, revealing the extent of his injuries. The artist has rendered the flesh tones with a meticulous attention to detail, highlighting the musculature and emphasizing the vulnerability of the figure.
The architectural setting contributes significantly to the work’s overall meaning. The classical columns and arches evoke associations with Roman antiquity, suggesting themes of martyrdom and endurance. The distant landscape, bathed in soft light, provides a sense of serenity that contrasts sharply with the immediate suffering depicted. This juxtaposition may be interpreted as symbolizing hope or spiritual transcendence amidst physical torment.
The inscription at the base likely contains a devotional text related to the figure’s identity and his ordeal. Its presence reinforces the works religious context and invites contemplation on themes of faith, sacrifice, and divine grace. The overall effect is one of poignant beauty and profound pathos, inviting viewers to consider the intersection of physical suffering and spiritual fortitude.