Hans Thoma – Cloud of Angels
1878. 85x67
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The arrangement is not one of rigid order; rather, the angels appear to be engaged in spontaneous interaction, some tumbling playfully, others gazing downwards, and still others seemingly lost in individual reverie. This sense of movement and dynamism contrasts with the static nature typically associated with depictions of heavenly beings. The light source appears diffused, emanating from within the cloud formation itself, creating a luminous atmosphere that obscures precise detail while highlighting the overall impression of ethereal beauty.
Below this celestial gathering, a darker, more turbulent space unfolds. A large bird, its wings outstretched in powerful flight, cuts across this lower register. Its presence introduces an element of dynamism and potential threat, contrasting sharply with the tranquility above. At the base of the composition, a smaller grouping of similar figures is visible, their forms partially obscured by shadow. Their posture suggests a sense of apprehension or perhaps observation of the scene unfolding above.
The subtexts within this work are complex. The juxtaposition of the joyous, seemingly carefree angels and the darker, more ominous lower space hints at a narrative tension – a potential fall from grace, or a watchful guardianship over earthly concerns. The bird’s flight could symbolize divine intervention, a messenger carrying news between realms, or even a harbinger of change. The overall effect is one of profound spiritual contemplation, inviting reflection on themes of innocence, responsibility, and the delicate balance between the celestial and terrestrial spheres. The artists choice to depict such a large number of figures contributes to a feeling of overwhelming abundance, suggesting an infinite and boundless realm beyond human comprehension.