Картон Ангерран (Шарантон) (c.1410 Лан - c.1461 Авиньон) – Авиньонская пьета с донатором Part 6 Louvre

The composition presents a scene centered around a deceased figure lying horizontally across a dark expanse. The individual is clearly male, identifiable by the signs of crucifixion – visible wounds and a posture indicative of suffering. He rests upon the lap of a woman draped in deep blue robes, her face marked with an expression of profound sorrow. A third figure, also male, stands beside them, his hand gently placed on the shoulder of the deceased, seemingly offering solace or support. To the left, another man, clad in monastic garb, gazes directly outward, breaking the immediate circle of grief and engaging the viewer.
The artist employed a limited palette dominated by blues, browns, and ochres, contributing to a somber and reverent atmosphere. The figures are rendered with a degree of stylized realism; their features are not entirely naturalistic but possess a certain solemn dignity. Light emanates from behind the central group, highlighting the deceased’s face and creating an aura around him – a visual cue suggesting divine presence or transcendence.
The background is largely obscured by darkness, though faint architectural details suggest a cityscape receding into distance. Above the figures, a decorative band features inscriptions within circular medallions, likely bearing religious texts or names of significant individuals. The gold leaf used in this upper register adds to the painting’s perceived value and reinforces its sacred nature.
The arrangement suggests a Pietà motif – a traditional depiction of Mary mourning over Christs body – but with notable deviations. The inclusion of two male figures, one seemingly a donor or patron given his formal attire and direct gaze, complicates the narrative. This addition implies a personal connection to the scene, perhaps indicating the commissioning of the work as an act of devotion or remembrance.
The posture of the deceased is particularly striking; he appears not entirely limp but rather posed with a certain grace, which could be interpreted as symbolizing his acceptance of fate and his sacrifice for humanity. The woman’s gesture – holding the body close – conveys both maternal grief and protective tenderness. The overall effect is one of profound emotional weight, inviting contemplation on themes of loss, faith, and redemption.